I've bumped this back to the top because it's still getting a lot of interesting comments. Thanks for sharing everyone, and if you haven't put in your 2-cents yet, I'd love to hear your thoughts!
As many of you know, in addition to writing my own knitting books, I've been tech editing knitting books for the past few years. I've decided to phase that out of my life, at least for the time being, and here's why: I'm tired of waking up in the middle of the night worrying that there are mistakes (there are always mistakes) in a book that I edited a year or two ago, and that I'm going to get email or, worse, a phone call asking me about it. To be honest, I sometimes lay awake at night having the same worries about the books I've written and the free patterns on my website.
Here's what I want for Christmas:
I want knitters everywhere to learn to think for themselves and to question the authority of pattern writers. I want knitters to understand garment shapes and to be brave enough to forge forward if they find a misake in a pattern, making adjustments to fix the error. I want knitters to be free from the tyranny of patterns. I want knitters to have the confidence and skill to make things up and to knit their own designs, instead of always copying something they've found in a book.
I knit from patterns sometimes, but I usually don't even notice if there are mistakes, or if I do find an error, I just fix it and move on. This is not because I'm a tech editor. I've been doing this since the very first sweater I knitted as an adult. It just wouldn't occur to me to write to a publisher or author if I found a mistake. I just fixed it and trudged ahead. If I was a couple of stitches short somewhere, I'd increase; if I had too many stitches, I'd decrease. If something didn't line up correctly, I'd fudge. And if I found a mistake in a pattern stitch or chart, I'd just mark a fix in the book and move on. (You do swatch to check the pattern stitches in your projects, right? Swatching is not just to check the gauge!) Maybe I've just been lucky, but I've never found a mistake I couldn't stomp over and fix. I wish all knitters would have the confidence to do the same. Because I don't think it takes any great skill or genius to do this, just the self-confidence to realize that you can be right and a book author can be wrong! And a little attention to detail: know what sweater pieces should look like, where the armholes and neck opening should be, about how wide a sleeve is, how tall a neckband is.
Now, I'm not giving license to publishers to skip the tech editing process or to be lazy in checking the accuracy of patterns. But errors and typos can be introduced anywhere along the way. The patterns are usually checked in Word before they get put together into a book in special design software. The charts are usually first made by hand or in an off-the-shelf charting software. The schematics are usually first sketched out in pencil on paper. That's when everything gets tech edited, in immaculate detail, every number getting crunched in a spreadsheet, every instruction read over at least a dozen times, every chart knitted up, every line and number on each schematic checked against the instructions.
Then the book gets put together, the charts and schematics get redrawn by an artist, and someone (either the artist or the book designer) adds the legends to the charts and the numbers to the schematics, photos get taken, the text gets massaged into a beautiful arrangement, fractions get stacked, other symbols are set, and it all starts to look like a book. Then, a couple of months after you last saw the manuscript, you get page proofs, and you have to re-read all of the text, spot check the math, recheck all of the charts and schematics, and so forth. And all of this goes on while trying to keep the book in the author's voice, not killing their style or forcing their instructions into a format that takes away their personality (well, some publishers skip this last step, because they want all their books to sound consistent, even if the authors really had different pattern writing styles.)
All along the process, other people are proofing and changing the book, too. So even if you think everything's perfect on your end, mistakes can get inserted by the illustrator, the copy editor, the proof reader, and only the publisher knows who else, along the way to the printer. Someone might innocently rephrase something to make the sentence smoother, not realizing that they've actually changed the meaning of an esoteric knitting instruction. (Did I mention that not everyone who works on a knitting book is an expert knitter, and at some publishers the editors don't even know how to knit at all?)
In the future, I'm going to be writing things that don't have instructions or patterns in them, and as I've mentioned, I've gone back to a day job that takes up some of my time but doesn't sap my creative energy. (In reality I have to change jobs every few years anyway because I get bored, and then frustrated.)
I still have a list of knitting books that I want to write, so it will be a creative challenge to figure out how to write them without patterns, but that's my current plan. I think it's more empowering to give knitters the skills that help them free themselves from being slaves to line-by-line instructions, so they won't get completely stuck if they come upon an error.
I hope that Ethnic Knitting Discovery, and the two other books that will be in this series, are a good start in that direction.
UPDATE: I posted a response to the thread of comments here.


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